Lethal Weapon


Lethal Weapon (1987) movie cover


Genres: Action | Comedy | Crime | Thriller
Year: 1987 
Country: USA
Formats: DVD | DivX | PDA

IMDB Rating: 7.50 (22928 votes)


Storyline for 'Lethal Weapon':

Los Angeles police sergeant Roger Murtaugh, who has just turned 50 years old, is assigned to investigate the death of Amanda Hunsaker, a prostitute who is one of the daughters of bank president Michael Hunsaker, a friend whom Roger has known since they were in the Vietnam War together, but Roger hasn't seen Michael in 12 years. Beginning with this investigation, Roger is assigned a new partner Sergeant Martin Riggs, who has been suicidal ever since his wife Victoria "Vicky" Lynn Riggs died in a car crash in 1984. Riggs and Murtaugh's investigation of Amanda's death reveals that she was murdered. Upon hearing of this, Michael tells Murtaugh that he would like for whoever is behind Amanda's murder to end up dead, like Amanda. Riggs and Murtaugh's investigation continues and it makes them the targets of Shadow Company, a group of former Vietnam War era mercenaries who now bring heroin into the Los Angeles County region. Shadow Company's leader, General Peter McAllister, and his right hand man, Mr. Joshua, want Riggs and Murtaugh dead, no matter what the cost. | Cop Martin Riggs (Mel Gibson) has a death wish, and that makes him a lethal weapon. Distraught over his wife's death, Riggs puts a loaded gun in his mouth. But he can't pull the trigger, so he tries to get bad guys to do it for him by taking risks at every turn. Along for the wild ride is Riggs' buttoned-down partner (Danny Glover). | Mel Gibson set aside his art-house credentials to star as a crazy cop paired with a stable one (Danny Glover) in this full-blown 1987 Richard Donner action picture. The most violent film in the series (which includes three sequels), it is also the edgiest and most interesting. After Gibson's character jumps off a building handcuffed to a man, and Gary Busey (as a cold, efficient enforcer) lets his hand get burned without flinching, there is a sense that anything can happen, and it usually does. Donner's strangely messy visual and audio style doesn't make a lot of aesthetic sense, but it stuck with all four movies.

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